•  

  • Aside from Chinese and English, I work through abstraction,

    a language I find to be
    an act of performance that enduringly 
    performs.

  • Never static, abstraction propels an object into an ongoing state of motion—deconstructing recognition and reconstructing meaning—
    upon all who engage.

  •              It takes the operations of language into a spatial dimension,
    differing in its confluence of an incontestable physicality
    yet

    contestable consensus.